Полным ходом. Эстетика и идеология скорости в культуре русского авангарда, 1910–1930 - Тим Харт

Ярославль: Верх. – Волж. кн. изд-во, 1996.

Шершеневич 2000 – Шершеневич В. Стихотворения и поэмы. СПб.: Академический проект, 2000.

Шкловский 1924 – Шкловский В. Мистер Вест не на своем месте И Кино-неделя. 1924. № 21. 24 июня. С. 3.

Эбботт, Бюргер 1976 – Эббот Э., Бюргер Д. Флатландия; Сферландия. М.: Мир, 1976.

Эганбюри 1913 – Эганбюри Э. Наталия Гончарова, Михаил Ларионов. М.: Ц. А. Мюнстер, 1913.

Эйзенштейн 1964 – Эйзенштейн Э. Избранные произведения: в 6 т. Т. 2. М.: Искусство, 1964.

Эйзенштейн 1967 – Эйзенштейн Э. Избранные произведения: в 6 т. Т. 5. М.: Искусство, 1967.

Эйзенштейн 2004 – Эйзенштейн Э. Неравнодушная природа: в 2 т. Т. 1. М.: Эйзенштейн-центр, 2004.

Эйзенштейн 2016 – Эйзенштейн Э. За кадром: Ключевые работы по теории кино ⁄ сост. Н. Рябчикова. М.: Гаудеамус: Академ, проект, 2016.

Якобсон 1975 – Якобсон Р., Святополк-Мирский Д. Смерть Владимира Маяковского. The Hague; Paris: Mouton, 1975.

Ямпольский 2004 – Ямпольский М. Язык-тело-случай. М.: НЛО, 2004.

Abbott 1885 – Abbott Е. Flatland: A Romance of Many Dimensions. Boston: Roberts Brothers, 1885.

Adorno 1997 – Adorno Th. W. Aesthetic Theory / transl. by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 1997.

Albera 1993 – Albera E Eisenstein and the Theory of the Photogram // Eisenstein Rediscovered / ed. by Ian Christie and Richard Taylor. London: Routledge, 1993. P. 194–203.

Apollonio 2001 – Apollonio U. (ed.) Futurist Manifestos / transl. by Robert Brain et al. Boston: MFA Publications, 2001.

Arnheim 1967 – Arnheim R. Art and Visual Perception: A Psychology of the Creative Eye. Berkeley: University of California Press, 1967.

Balazs 1970 – Balazs B. Theory of the Film: Character and Growth of a New Art. New York: Dover, 1970.

Bann 1974 – Bann S. (ed.) The Tradition of Constructivism. New York: Da Capo Press, 1974.

Baudelaire 1964 – Baudelaire Ch. The Painter of Modern Life and Other Essays / transl. and ed. by Jonathan Mayne. London: Phaidon Press, 1964.

Bely 1986 – Bely A. The Dramatic Symphony; [and] Forms of Art. New York: Grove Press, 1986.

Benjamin 1999 – Benjamin W. The Arcades Project I transl. by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Belknap Press of Harvard University, 1999.

Bergson 1913 – Bergson H. Introduction to Metaphysics / transl. by T. E. Hulme. London: Macmillan, 1913.

Bethea 1989 – Bethea D. The Shape of Apocalypse in Modern Russian Fiction. Princeton, NJ: Princeton University Press, 1989.

Betz 1977 – Betz M. The Icon and Russian Modernism // Art Forum. 1977. № 5 (May). P. 38–45.

Bois 1988 – Bois Y.-A. El Lissitzky: Radical Reversibility // Art in America. 1988. Vol. 76, № 4 (April). P. 160–181.

Borden 1999 – Borden R. The Art of Writing Badly: Valentin Kataevs Mauvism and the Rebirth of Russian Modernism. Evanston, IL: Northwestern University Press, 1999.

Bordwell 1993 – Bordwell D. The Cinema of Eisenstein. Cambridge, MA: Harvard University Press, 1993.

Bordwell et al. 1985 – Bordwell D., Staiger J., Thompson K. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. New York: Columbia University Press, 1985.

Bowlt 1987–1988 – Bowlt J. The Presence of Absence: The Aesthetic of Transparency in Russian Modernism// Structurist. 1987–1988. № 27/28. P. 15–22.

Bowlt 1988 – Bowlt J. (ed. and transl.) Russian Art of the Avant-Garde: Theory and Criticism. New York: Thames and Hudson, 1988.

Bowlt 2000 – Bowlt J. Life Painting and Light Painting: Photography and the Early Russian Avant-Garde // History of Photography. 2000. Vol. 24, № 4 (Winter). P. 273–282.

Bowlt, Matich 1996 – Bowlt J., Matich O. (eds.) Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment. Stanford, CA: Stanford University Press, 1996.

Braun 1992 – Braun M. Picturing Time: The Work of Etienne-Jules Marey (1830–1904). Chicago: University of Chicago Press, 1992.

Brooks 1985 – Brooks J. When Russia Learned to Read: Literacy and Popular Literature, 1861–1917. Princeton, NJ: Princeton University, 1985.

Brown 1973 – Brown E. J. Mayakovsky: A Poet in the Revolution. Princeton, NJ: Princeton University Press, 1973.

Buchloh 1984 – Buchloh B. H.D. I From Faktura to Factography// October. 1984. № 30 (Fall). P. 83–119.

Bulgakowa 2002 – Bulgakowa O. (ed.) The White Rectangle: Writings on Film. San Francisco: Potemkin Press, 2002.

Cendrars 1966 – Cendrars В. Selected Writings of Blaise Cendrars I ed. by Walter Albert. Westport, CT: Greenwood Press, 1966.

Cendrars 1992 – Cendrars B. Complete Poems I transl. by Ron Padgett. Los Angeles: University of California Press, 1992.

Chefdor et al. 1986 – Chefdor M., Quinones R., Wachtel A. (eds.) Modernism: Challenges and Perspectives. Urbana: University of Illinois Press, 1986.

Chipp 1971 – Chipp H. B. Theories of Modern Art. Berkeley: University of California Press, 1971.

Compton 1978 – Compton S. The Word Backwards: Russian Futurist Books, 1912–1916. London: British Library, 1978.

Compton 1981 – Compton S. B. Italian Futurism and Russia // Art Journal. 1981. Vol. 4, № 41 (Winter). P. 343–348.

d’Harnoncourt 1980 – d’Harnoncourt A. Futurism and the International Avant-Garde. An exhibition catalog. Philadelphia: Philadelphia Art Museum, 1980.

Dabrowski 1975 – Dab rowski M. The Formation and Development of Rayonism // Art Journal. 1975. Vol. 33, № 3 (Spring). P. 200–207.

Dalrymple Henderson 1983 – Dalrymple Henderson L. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.

Danius 2002 – Danius S. The Senses of Modernism: Technology, Perception, and Aesthetics. Ithaca, NY: Cornell University Press, 2002.

Delaunay 1999 – Delaunay R. Robert Delaunay, 1906–1914: De 1’impres-sionisme a 1’abstraction. Paris: Centre Pompidou, 1999.

Deleuze 1986–1989 – Deleuze G. Cinema 1: The Movement-Image / transl. by Hugh Tomilinson and Barbara Habberjam. Minneapolis: University of Minnesota Press, 1986–1989.

Doane 2002 – Doane M. A. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA: Harvard University Press, 2002.

Douglas 1975 – Douglas Ch. The New Russian Art and Italian Futurism // Art Journal. 1975. Vol. 34, № 3 (Spring). P. 224–239.

Douglas 1975–1976 – Douglas Ch. The Universe: Inside and Out, New Translations of Matyushin and Filonov // The Structurist. 1975–1976. № 15–16.

Douglas 1980 – Douglas Ch. Swans of Other Worlds. Ann Arbor, MI: University Microfilms International, 1980.

Edwards 2000 – Edwards P. (ed.) Blast: Vorticism, 1914–1918. Burlington, VT: Ashgate, 2000.

Eikheibaum 1982 –