Модернисты и бунтари. Бэкон, Фрейд, Хокни и Лондонская школа - Мартин Гейфорд

Study in Objective Painting. Aldershot, 1986. P. 109 et sq.

35

Ibid. P. 116.

36

Gowing L. Eight Figurative Painters. New Haven, 1981. P. 24.

37

Laughton B. The Euston Road School. P. 109–110.

38

Ibid. P. 110.

39

Ibid.

40

Gowing L., Sylvester D. The Paintings of William Coldstream (1908–1987) / Exhibition Catalogue. London, Tate Gallery, 1990. P. 15–16.

41

Ibid. P. 119.

42

Речь идет о правиле счета в столбик – точка над цифрой и перенесение в другой разряд. – Примечание переводчика.

43

Gowing L., Sylvester D. The Paintings of William Coldstream. P. 25 (интервью Колдстрима Сильвестру).

44

Horizon. 1947. April. Цит. по: Sandbrook D. White Heat: A History of Britain in the Swinging Sixties. London, 2006. P. 253.

45

Townsend W. The Townsend Journals. P. 72.

46

Spalding F. Prunella Clough: Regions Unmapped. Farnham, 2012.

47

Yorke M. The Spirit of Place: Nine Neo-Romantic Artists and their Times. London, 1988. P. 293.

48

Spalding F. Prunella Clough.

49

Yorke M. The Spirit of Place. P. 297.

50

Ibid.

51

Cork R. David Bomberg / Exhibition Catalogue. London, Tate Gallery, 1988. P. 41.

52

McKenna K. Painting's quiet man: Leon Kossoff // LA Times. 13 May 1993.

53

Cork R. David Bomberg. P. 19.

54

Ibid. P. 32.

55

Ibid. P. 34.

56

Ibid. P. 40.

57

Ibid.

58

Sylvester D. Against the odds // Leon Kossoff: Recent Paintings / Exhibition Catalogue. London, British Council, 1995. P. 17.

59

Sylvester D. Interviews with Francis Bacon. P. 28.

60

Horizon. 1947. April. Цит. по: Sandbrook D. White Heat. P. 253.

61

Spalding F. Prunella Clough. P. 110.

62

Connolly С. Obituary of Kitty Godley // Guardian. 19 January 2011.

63

Gowing L. Lucian Freud. London, 1982. P. 60.

64

Melly G. Don't Tell Sybil: An Intimate Memoir of E. L. T. Mesens. London, 1997. P. 89.

65

Townsend W. The Townsend Journals. P. 82.

66

Melly G. Don't Tell Sybil. P. 70.

67

Peppiatt M. Francis Bacon in the 1950s / Exhibition Catalogue. Norwich, Sainsbury Centre for Visual Arts, 2006. P. 144.

68

Ibid.

69

Harrison M. In Camera: Francis Bacon, Photography, Film and the Practice of Painting. London, 2005. P. 81.

70

Ibid. P. 83.

71

Ibid. P. 81.

72

Ibid. P. 59.

73

Цит. по: Peppiatt M. Francis Bacon in the 1950s. P. 65.

74

Harrison M. In Camera: Francis Bacon… P. 104.

75

Ibid. P. 56.

76

Альберт Хантер. Цит. по: Peppiatt М. Francis Bacon in the 1950s. P. 64.

77

Цит. по: Gruen J. The Artist Observed. Chicago, 1991. P. 8.

78

Blow S. Interview with Andrew Lambirth. Part 3. National Life Stories: Artists' Lives. British Library. 7 October 1996.

79

Massey A. The Independent Group: Modernism and Mass Culture in Britain, 1945–1959. Manchester, 1995. P. 14–17.

80

Wilson A. N. After the Victorians: The World Our Parents Knew. London, 2005. P. 156.

81

Цит. по: Walker N. (ed.) Victor Pasmore: Towards a New Reality / Exhibition Catalogue. London, 2016. P. 56.

82

Eastham В., Graham, H. Interview with Paula Rego // White Review. January 2011: www.thewhitereview.org/feature/interview-with-paula-rego/

83

Townsend W. The Townsend Journals. P. 90.

84

Цит. по: Walker N. (ed.) Victor Pasmore. P. 57–58.

85

Антоний и Клеопатра. Акт IV, сцена 12 (пер. М. Донского). – Примечание переводчика.

86

Цит. по: Garlake M. New Art, New World: British Art in Postwar Society. New Haven & London, 1998. P. 104.

87

Цит. по: Caiger-Smith M. Roger Hilton / Exhibition Catalogue. London, SouthBank Centre, 1993. P. 10.

88

Ibid. Note 15.

89

Ibid. P. 10.

90

Иллюзорными (франц.). – Примечание переводчика.

91

Alloway L. Nine Abstract Artists. London, 1954. P. 30.

92

Ibid. Passim.

93

Цит. по: Garlake M. New Art, New World. P. 205.

94

Ibid. Note 11.

95

Цит. по: Moffat I. Richard Hamilton and Victor Pasmore, an Exhibit, 1957 // The Artist as Curator #1. Mousse Magazine. 42 (February 2014). См.: http://moussemagazine.it/taacl-b/

96

Gruen J. The Artist Observed. P. 6–7.

97

Sylvester D. Interviews with Francis Bacon. P. 182.

98

Ibid. P. 48.

99

Цит. по: Peppiatt M. Francis