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– Dass R., Metzner R. Birth of a Psychedelic Culture: Conversations about Leary, the Harvard Experiments, Millbrook and the Sixties. Santa Fe: Synergetic Press, 2010.

– Davenport L. E. Jazz Diplomacy: Promoting America in the Cold War Era. Jackson: University Press of Mississippi, 2009.

– Davis M. E. Erik Satie. L.: Reaktion Books, 2007.

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– Day A. Romanticism. L.; N. Y.: Routledge, 1996.

– Debies-Carl J. S. Punk Rock and the Politics of Place: Building a Better Tomorrow. N.Y; L.: Routledge, 2014.

– Debord G. Report on the Construction of Situations and on the Terms of Organization and Action of the International Situationist Tendency // Guy Debord and the Situationist International.

– Demers J. Listening through the Noise: The Aesthetics of Experimental Electronic Music. N. Y.: Oxford University Press, 2010.

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– DeVito C., Fujioka Y., Schmaler W., Wild D. The John Coltrane Reference. N. Y.; L.: Routledge, 2013 – Diallo D. Hip Cats in the Cradle of Rap: Hip Hop in the Bronx // Hip Hop in America: A Regional Guide. Volume 1: East Coast and West Coast / M. Hess (ed.). Santa Barbara; Denver; Oxford: Greenwood Press, 2010.

– Diamond E. Souls of the City: Religion and the Search for Community in Postwar America. Bloomington: Indiana University Press, 2003.

– Dickstein M. Copland and American Populism in the 1930s // Aaron Copland and His World / C. J. Oja, J. Tick (eds.). Princeton; Oxford: Princeton University Press, 2005.

– Dinerstein J. The Origins of Cool in Postwar America. Chicago; L.: University of Chicago Press, 2017.

– Disco, Punk, New Wave, Heavy Metal, and More: Music in the 1970s and 1980s / M. Ray (ed). N. Y.: Britannica Educational Publishing, 2013.

– Dregni M. Gypsy Jazz: In Search of Django Reinhardt and the Soul of Gypsy Swing. Oxford; N. Y.: Oxford University Press, 2008.

– Driggs F., Haddix C. Kansas City Jazz: From Ragtime to Bebop. Oxford; N. Y.: Oxford University Press, 2005.

– Duke S. B., Gross A. C. America’s Longest War: Rethinking Our Tragic Crusade Against Drugs. e-reads, 1999.

– Dümling A. Public Loneliness: Atonality and the Crisis of Subjectivity in Schönberg’s Opus 15 // Schönberg and Kandinsky: An Historic Encounter / K. Boehmer (ed.). N. Y.; L.: Routledge, 1997.

– Dunbar-Nelson A. M. People of Color in Louisiana // Creole: The History and Legacy of Louisiana’s Free People of Color / S. Kein (ed.). Baton Rouge: Louisiana State University Press, 2000.

– Dunford M. The Rough Guide to New York City. N. Y.; L.; Delhi: Rough Guides, 2009.

– Echols A. Scars of Sweet Paradise: The Life and Times of Janis Joplin. N.Y.: Holt Paperbacks, 1999.

– Ecklund P. Louis Armstrong and the Origins of Jazz Improvisation // Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions / H. T. Weiner (ed.). Lanham; Toronto; Plymouth: Scarecrow Press, Inc., 2009.

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– Edwards P. How to Rap: The Art and Science of the Hip-Hop MC. Chicago: Chicago Review Press, 2009.

– Edwards P. How to Rap 2: Advanced Flow and Delivery Techniques. Chicago: Chicago Review Press, 2013.

– Egan S. The Clash: The Only Band That Mattered. Lanham; N.Y.; L.: Rowman & Littlefield, 2015.

– Encyclopedia of the Blues / E. Komara (ed.). N. Y.; L.: Routledge, 2006.

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– Ellis G. I Should Have Known Better: A Life in Pop Management – The Beatles, Brian Epstein and Elton John. L.: Thorogood, 2005.

– Encyclopedia of the Jazz Age: From the End of World War I to the Great Crash / James Ciment (ed). N. Y.: Sharpe Reference, 2013.

– Ennis P. H. The Seventh Stream: The Emergence of Rocknroll in American Popular Music. Hanover: Wesleyan University Press, 1992.

– Everett W. The Beatles as Musicians: The Quarry Men through Rubber Soul. N. Y.: Oxford University Press, 2001.

– Everett W. The Beatles as Musicians: Revolver through the Anthology. N. Y.; Oxford: Oxford University Press, 1999.

– Faulkner R. R., Becker H. S. «Do you know?..»: The Jazz Repertoire in Action. Chicago; L.: The University of Chicago Press, 2009.

– Fay L. E. Shostakovich: A Life. Oxford; N. Y.: Oxford University Press, 2000.

– Feenberg A., Freedman J. When Poetry Ruled the Streets: The French May Events of 1968. Albany: State University of New York Press, 2001.

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– Feisst S. Schoenberg’s New World: The American Years. Oxford; N. Y.: Oxford University Press, 2011.

– Fink R. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley; Los Angeles: University of California Press, 2005.

– Fischer J. M. Gustav Mahler. New Haven; L.: Yale University Press, 2011.

– Floros C. Alban Berg: Music as Autobiography. Frankfurt am Main: Peter Lang, 2014.

– Floros C. Gustav Mahler, Visionary and Despot: Portrait of A Personality. Frankfurt am Main: Peter Lang, 2012.

– Flür W. Ich war ein Roboter: Electric Drummer bei Kraftwerk. Fuego, 2013. – Folk / Richard Carlin (ed.). N. Y.: Facts On File, 2006.

– Fox C. Kings of Jazz: Fats Waller. N. Y.: Perpetua Books, 1961.

– Franklin P. Strauss and His Contemporaries: Critical Perspectives // The Richard Strauss Companion / M.– D. Schmid (ed.). Westport: Praeger Publishers, 2003.

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