Грандиозная история музыки XX века - Артем Рондарев

– Von Eschen P. M. Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War. Cambridge; L.: Harvard University Press, 2004.

– Wald E. The Blues: A Very Short Introduction. N.Y.: Oxford University Press, 2010.

– Wald E. Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night That Split the Sixties. N.Y.: Dey Street/HarperCollins, 2015.

– Wald G. F. Shout, Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe. Boston: Beacon Press, 2006.

– Walser R. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Middletown: Wesleyan University Press, 1993.

– Walsh S. Stravinsky: Oedipus rex. Cambridge; N. Y.: Cambridge University Press, 1993.

– Walsh S. Stravinsky: The Second Exile: France and America, 1934–1971. N. Y.; Toronto: Borzoi Books, 2006.

– Walter M. Strauss in the Third Reich // The Cambridge Companion to Richard Strauss / C. Youmans (ed.). Cambridge; N. Y.: Cambridge University Press, 2010.

– Ward B. Just my soul responding: Rhythm and Blues, Black Consciousness and Race Relations. L.: UCL Press, 1998.

– Warfield P. Making the March King: John Philip Sousa’s Washington Years, 1854–1893. Urbana; Chicago; Springfield: University of Illinois Press, 2013.

– Wark M. The Beach Beneath the Street: The Everday Life and Glorious Times of the Situationist International. L.; N. Y.: Verso, 2011.

– Warwick J. Singing Style and White Masculinity // The Ashgate Research Companion to Popular Musicology / D. B. Scott (ed.). Farnham: Ashgate, 2009.

– Wason R. W. Musica Practica: Music Theory as Pedagogy // The Cambridge History of Western Music Theory / T. Christensen (ed.). Cambridge: Cambridge University Press, 2008.

– Watkins S. C. Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement. Boston: Beacon Press, 2005.

– Wayne T. K. Encyclopedia of Transcendentalism. N. Y.: Facts On File, 2006.

– Weinstein D. Heavy Metal: The Music and Its Culture. Boston: Da Capo Press, 2000.

– Weissman D. Blues. N. Y.: Facts On File, 2006.

– Whaley P. Blows Like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture. Cambridge; L.: Harvard University Press, 2004.

– Whiteley S. The Space Between the Notes: Rock and the Counterculture. L., N.Y.: Routledge, 1992.

– Whitehead K. Why Jazz?: A Concise Guide. N. Y.: Oxford University Press, 2011.

– Whiteside J. Cry: The Johnnie Ray Story. N. Y.: Barricade Books, 1994.

– Widick B. J. Detroit: City of Race and Class Violence. Detroit: Wayne State University Press, 1989.

– Wilde C. D. Arnold Schoenberg and Richard Strauss // The Cambridge Companion to Schoenberg / J. Shaw, J. Auner (eds.). Cambridge; N. Y.: Cambridge University Press, 2010.

– Williams M. The Jazz Tradition. Oxford; N. Y.: Oxford University Press, 1993.

– Williams M. Kings of Jazz: King Oliver. N. Y.: A. S. Barnes and Company, Inc., 1961.

– Willis P. E. Profane Culture. Princeton, Woodstock: Princeton University Press, 2014.

– Wimsatt W. U. Bomb the Suburbs. Berkley: Soft Skull Press, 2008.

– Winkler M. Master and Disciples: The George Circle // A Companion to the Works of Stefan George / J. Rieckmann (ed.). Woodbridge; N. Y.: Camden House, 2005.

– Witkin R. W. Why did Adorno “Hate” Jazz? // Sociological Theory, Vol. 18, No. 1 (Mar., 2000).

– Witts R. The Velvet Underground. L.: Equinox, 2006.

– Woideck C. Charlie Parker: His Music and Life. Ann Arbor: University of Michigan Press, 1996.

– Womack K., Davis T. F. Introduction: “Dear Sir or Madam, Will You Read My Book?” // Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four / K. Womack, T. F. Davis (eds.). Albany: State University of New York Press, 2006.

– Woods B. D. Industrial Music for Industrial People: The History and Development of an Underground Genre. A thesis submitted to the College of Music in partial fulfilment of the requirements for the degree of Master of Music. Tallahassee: Florida State University, 2007.

– Woods C. Development Arrested: The Blues and Plantation Power in the Mississippi Delta. L.; N. Y.: Verso, 1998.

– Wood S. “Pure Eye Music”: Norman Lewis, Abstract Expressionism, and Bebop // The Hearing Eye: Jazz and Blues Influences in African American Visual Art / G. Lock, D. Murray (eds.). Oxford; N. Y.: Oxford University Press, 2009 – Worley M. No Future: Punk, Politics and British Youth Culture, 1976–1984. Cambridge: Cambridge University Press, 2017.

– Wright Austin Sh. D. The Transformation of Plantation Politics: Black Politics, Concentrated Poverty, and Social Capital in the Mississippi Delta. Albany: State University of New York, 2006. P. 26.

– Wright B. W. Big Band Music // Encyclopedia of The Great Depression / R. S. McElvaine et al. (eds.) N. Y.: Macmillan Reference USA, 2004. V. 1.

– Wynn N. A. The A to Z from the Great War to the Great Depression. Lanham; Toronto; Plymouth: The Scarecrow Press, Inc., 2009.

– Xenakis I. Formalized Music: Thought and Mathematics in Composition. N.Y.: Pendragon Press, 1992.

– Young W. H., Young N. K. The Great Depression in America: A Cultural Encyclopedia. Westport: Greenwood Press, 2007. V. 1.

– Young W. H., Young N. K. World War II and the Postwar Years in America: A Historical and Cultural Encyclopedia. Santa Barbara; Denver; Oxford: ABC–Clio, 2011.