Женщины Девятой улицы. Том 2 - Мэри Габриэль

Goodman, Rob. “What Happened to the Roosevelts?” Politico Magazine, October 7, 2014.

Goodnough, Robert. “Pollock Paints a Picture.” ArtNews 50, no. 3 (May 1951).

Grace Hartigan: Painting from Popular Culture, Three Decades. Harrisburg, PA: Susquehanna Art Museum, April 12, 2000.

“Grace Hartigan, Palette Fresh and Brilliant.” Truro (Mass.) Post, n.d. (1982).

Graham, John D. “Primitive Art and Picasso.” Magazine of Art 30, no. 4 (April 1937).

Greenberg, Clement. “Abstract and Representational.” Arts Digest 29, no. 3 (November 1, 1954).

Greenberg, Clement. “Art.” The Nation, November 27, 1943.

Greenberg, Clement. “Art.” The Nation, April 7, 1945.

Greenberg, Clement. “Avant-Garde and Kitsch.” Partisan Review 6, no. 5 (Fall 1939).

Greenberg, Clement. “The Crisis of the Easel Picture.” Partisan Review 15, no. 4 (April 1948).

Greenberg, Clement. “Goose-Step in Tishomingo.” The Nation (May 29, 1943).

Greenberg, Clement. “Louis and Noland.” Art International 4, no. 5 (May 25, 1960).

Greenberg, Clement. “Self-Hatred and Jewish Chauvinism, Some Reflections on ‘Positive Jewishness.’” Commentary (November 1950).

Greenberg, Clement. “The Situation at the Moment.” Partisan Review 15, no. 1 (January 1948).

Greenfield-Sanders, Timothy, and Robert Pincus-Witten. The Ninth Street Show. Toronto: Lumiere Press, 1987.

Greer, Germaine. The Female Eunuch. London: Fourth Estate, 2012.

Greer, Germaine. The Obstacle Race: The Fortunes of Women Painters and Their Work. New York: Farrar, Straus and Giroux, 1979.

Grimes, William. “Harry Jackson, Artist Who Captured the West, Dies at 87.” New York Times, April 28, 2011.

Gruen, John. The Party’s Over Now: Reminiscences of the Fifties — New York’s Artists, Writers, Musicians, and their Friends. New York: Viking Press, 1972.

Gruson, Lindsey. “Is it Art or Just a Toilet Seat? Bidders to Decide on a de Kooning.” New York Times, January 15, 1992.

Guggenheim, Peggy. Out of this Century: Confessions of an Art Addict. London: André Deutsch Limited, 1980.

Haden Guest, Hadley, ed. The Collected Poems of Barbara Guest. Middletown, CT: Wesleyan University Press, 2008.

Halberstam, David. The Fifties. New York: A Fawcett Columbine Book, 1993.

Hall, Donald, and Pat Corrington Wykes, eds. Anecdotes of Modern Art: From Rousseau to Warhol. New York: Oxford University Press, 1990.

Hall, Lee. Betty Parsons: Artist, Dealer, Collector. New York: Harry N. Abrams, Inc., 1991.

Hall, Lee. Elaine and Bill: Portrait of a Marriage. New York: Cooper Square Press, 2000.

Hallgren, Mauritz A. Seeds of Revolt: A Study of American Life and the Temper of the American People During the Depression. New York: Alfred A. Knopf, 1933.

Hamill, Pete. “Beyond the Vital Gesture.” Art & Antiques 7, no. 5 (May 1990).

Hampson, Robert, and Will Montgomery, eds. Frank O’Hara Now: New Essays on the New York Poet. Liverpool: Liverpool University Press, 2010.

Harap, Louis. Social Roots of the Arts. New York: International Publishers, 1949.

Harris, Mary Emma. The Arts at Black Mountain College. Cambridge, MA: The MIT Press, 1987.

Harrison, Helen A. Larry Rivers. New York: An ArtNews Book, Icon Editions, Harper & Row, Publishers, 1984.

Harrison, Helen A. East Hampton Avant-Garde: A Salute to the Signa Gallery, 1957–1960. East Hampton, NY: Guild Hall Museum, August 12 — September 23, 1990.

Harrison, Helen A., and Constance Ayers Denne. Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach. San Francisco: Chronicle Books, 2002.

Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. New York: Penguin, 1974.

Hauptman, William. “The Suppression of Art in the McCarthy Decade.” ArtForum 12, no. 2 (October 1973).

Hauser, Arnold. From Prehistoric Times to the Middle Ages. Vol. 1 of The Social History of Art. London: Routledge, 1999.

Hauser, Arnold. Naturalism, Impressionism: The Film Age. Vol. 4 of The Social History of Art. New York: Routledge, 1999.

Hauser, Arnold. Renaissance, Mannerism, Baroque. Vol. 2 of The Social History of Art. London: Routledge, 1999.

Hauser, Arnold. Rococo, Classicism and Romanticism. Vol. 3 of The Social History of Art. London: Routledge, 1999.

Heartney, Eleanor. “How Wide Is the Gender Gap?” ArtNews 86, no. 6 (Summer 1987).

Heilbut, Anthony. Exiled in Paradise: German Refugee Artists and Intellectuals in America, from the 1930s to the Present. New York: Viking Press, 1983.

“Helen Frankenthaler: A Retrospective.” Modern Art Museum of Fort Worth, September — October 1989 Calendar, Office of the Director.

Hellstein, Valerie. “Grounding the Social Aesthetics of Abstract Expressionism: A New Intellectual History of the Club.” PhD dissertation, Stony Brook University, 2010.

Henry, Gerrit. “Jane Freilicher and the Real Thing.” ArtNews 84, no. 1 (January 1985).

Herrera, Hayden. Arshile Gorky: His Life and Work. London: Bloomsbury, 2003.

Herrera, Hayden. “John Graham: Modernist Turns Magus.” Arts Magazine 51, no. 2 (October 1976).

Herrera, Hayden. “Le Feu Ardent: John Graham’s Journal.” Archives of American Art Journal 14, no. 2 (1974).

Herring, Terrell Scott. “Frank O’Hara’s Open Closet.” PMLA 117, no. 3 (May 2002).

Hess, Thomas B. Abstract Painting: Background and American Phase. New York: The Viking Press, 1951.

Hess, Thomas B. “The Battle of Paris, Strip-tease and Trotsky.” It Is 5 (Spring 1960).

Hess, Thomas B. “De Kooning Paints a Picture.” ArtNews 52, no. 1 (March 1953).

Hess, Thomas B. “Franz Kline, 1910–1962.” ArtNews 61, no. 4 (Summer 1962).

Hess, Thomas B. “Great Expectations, Part 1,” ArtNews 55, no. 4 (June — August 1956).

Hess, Thomas B. “Inside Nature,” ArtNews 56, no. 10 (February 1958).

Hess, Thomas B. “Introduction to Abstract.” ArtNews Annual 20 (1951).

Hess, Thomas B. “Mixed Pickings from Ten Fat Years.” ArtNews 54, no. 4 (Summer 1955).