Женщины Девятой улицы. Том 2 - Мэри Габриэль

Nelson, Maggie. Women, The New York School, and Other True Abstractions. Iowa City: University of Iowa Press, 2007.

Nemser, Cindy. “An Afternoon with Joan Mitchell.” The Feminist Art Journal 3, no. 1 (1974).

Nemser, Cindy. Art Talk: Conversations with 12 Women Artists. New York: Charles Scribner’s Sons, 1975.

Nemser, Cindy. “Art Talk Forum: Women in Art.” Arts Magazine 45, no. 33 (February 1971).

Nemser, Cindy. “A Conversation with Lee Krasner.” Arts Magazine 47, no. 6 (April 1973).

Nemser, Cindy. “A Conversation with Marisol.” The Feminist Art Journal 2, no. 3 (Fall 1973).

Nemser, Cindy. “Grace Hartigan: Abstract Artist, Concrete Woman.” Ms., March 1975.

Netter, D. Terence. Homage to Lee Krasner. New York: The Metropolitan Museum of Art, September 17, 1984.

The New American Painting, A Show in Eight European Countries, 1958–1959. New York: The Museum of Modern Art, distributed by Doubleday & Co., Inc., 1959.

Ninth Street: Nine Artists from the Ninth Street Show. New York: David Findlay Jr. Fine Art, June 9–20, 2006.

NO! Boris Lurie, David David Gallery, Philadelphia, November 14 — December 12, 2012.

Novak, Josephine. “Tracking the Marvelous Grace Hartigan.” Baltimore Evening Sun, n.d. [ca. 1983].

O’Brian, John, ed. Affirmations and Refusals, 1950–1956. Vol. 3 of Clement Greenberg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1995.

O’Brian, John, ed. Arrogant Purpose, 1945–1949. Vol. 2 of Clement Greenerg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1986.

O’Brian, John, ed. Perceptions and Judgments, 1939–1944. Vol. 1 of Clement Greenberg: The Collected Essays and Criticism. Chicago: The University of Chicago Press, 1988.

O’Brien, Elaine Owens. “The Art Criticism of Harold Rosenberg: Theaters of Love and Combat.” PhD dissertation, City University of New York, 1997.

O’Connor, Francis V. Jackson Pollock. New York: The Museum of Modern Art, 1967.

O’Hara, Frank. Art Chronicles, 1954–1966. New York: George Braziller, 1975.

O’Hara, Frank. “Franz Kline Talking.” Evergreen Review 2, no. 6 (Autumn 1958).

O’Hara, Frank. Jackson Pollock. New York: George Braziller, Inc., 1959.

O’Hara, Frank. “Porter Paints a Picture.” ArtNews 53, no. 9 (January 1955).

O’Hara, Frank. “Reviews and Previews, George Hartigan.” ArtNews 52, no. 10 (February 1954).

O’Hara, Frank. “Riopelle: International Speedscapes.” ArtNews 62, no. 2 (April 1963).

O’Hara, Frank. Robert Motherwell, with Selections from the Artist’s Writings. New York: The Museum of Modern Art, 1965.

Ortman, George. New York Artists Equity Association 55th Anniversary Journal. New York: December 18, 2002.

Ostrow, Saul. “Michael Goldberg.” Bomb 75 (Spring 2001).

Pacini, Marina. Marisol Sculptures and Works on Paper. New Haven, CT: Yale University Press, 2014.

Padgett, Ron. “Poets and Painters in Paris, 1919–1939.” ArtNews Annual XXXVIII.

Panofsky, Erwin. Meaning in the Visual Arts. London: Penguin Books, 1993.

Parker, Rozsika, and Griselda Pollock. Old Mistresses: Women, Art and Ideology. London: Pandora, an imprint of HarperCollins Publishers, 1981.

Parrish, Michael E. Anxious Decades: America In Prosperity and Depression, 1920–1941. New York: W. W. Norton & Company, 1994.

Parry, Albert. Garrets and Pretenders: A History of Bohemianism in America. New York: Dover Publications, 1960.

Passlof, Pat. “The Ninth Street Show.” New York Artists Equity Association 55th Annual Journal, December 18, 2002.

Passlof, Pat. “Willem de Kooning on his Eighty-Fifth Birthday, ‘1948.’ ” Art Journal 48, no. 3 (Autumn 1989).

Pavia, Philip. “The Hess Problem and Its Seven Panels at The Club.” It Is, 5 (Spring 1960).

Peppiatt, Michael. “Hans Namuth; Artists Portraits.” Art International, Spring 1989.

Perl, Jed. New Art City: Manhattan at Mid-Century. New York: Vintage Books, 2007.

Perloff, Marjorie. Frank O’Hara: Poet among Painters. Austin: University of Texas Press, 1979.

Pettet, Simon. Conversations with Rudy Burckhardt about Everything. New York: Vehicle Editions, 1987.

“Philip Pavia Talks on the War Years and the Start of The Club, Wartime 1940–1945.” New York Artists Equity Association 5th Anniversary Journal, December 18, 2002.

“Pictorial Essay: 19 Young American Artists, Under 36.” Life 28, no. 12 (March 20, 1950).

Poirier, Maurice. “Helen Frankenthaler: Working Papers.” ArtNews 84, no. 6 (Summer 1985).

Polcari, Stephen. Abstract Expressionism and the Modern Experience. Cambridge: Cambridge University Press, 1994.

Polcari, Stephen. From Omaha to Abstract Expressionism: Americans Respond to World War II, curated by Stephen Polcari. New York: Sidney Mishkin Gallery, Baruch College, November 10 to December 14, 1995.

Polcari, Stephen. Lee Krasner and Abstract Expressionism. Stony Brook: State University of New York at Stony Brook, Fine Arts Gallery, 1988.

Polcari, Stephen. “Martha Graham and Abstract Expressionism.” Smithsonian Studies in American Art 4, no. 1 (Winter 1990).

Polenberg, Richard. War and Society: The United States, 1941–1945. Philadelphia: J. B. Lippincott Company, 1972.

Polsky, Ned. “The Village Beat Scene: Summer 1960.” Dissent 8, no 3 (Summer 1961).

Porter, Fairfield. “John Graham: Painter as Aristocrat.” ArtNews 59, no. 6 (October 1960).

Porter, Fairfield. “Reviews and Previews, Elaine de Kooning.” ArtNews 53, no. 2 (April 1954).

Potter, Jeffrey. “To a Violent Grave: An Oral Biography of Jackson Pollock. Wainscott, NY: Pushcart Press, 1987.

Poydinecz-Conley, Donna. Unpublished interview with Helen Frankenthaler, June 14, 1978.

Preston, Stuart. “By Husband and Wife; A Group Show by Teams — Three Modernists.” New York Times, September 25, 1949.

Preston, Stuart. “Diverse Showings, Realism and Surrealism — ‘Collectors’ Finds’.” New York Times, February 8, 1953.

Prioleau, Betsy. Seductress: Women Who Ravished the World and Their Lost Art of Love. New York: Viking, 2003.