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Friedman, J., Paint and Colour in Decoration (London: Cassell Illustrated, 2003).

Friedland, S. R. (ed.), Vegetables: Proceedings of the Oxford Symposium on Food and Cooking 2008 (Totnes: Prospect, 2009).

Fussell, P., The Great War and Modern Memory (Oxford University Press, 2013) — в отечественном издании: Пол Фассел. Великая война и современная память. СПб.: Издательство Европейского университета в Санкт-Петербурге, 2015.

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Gaetani, M. C., U. Santamaria and C. Seccaroni, ‘The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages: The Wall Paintings of the San Saba Church in Rome’, в: Studies in Conservation, Vol. 49, No. 1 (2004), с. 13–22.

Gage, J., Colour and Culture: Practice and Meaning from Antiquity to Abstraction (London: Thames & Hudson, 1995).

Gage, J., Colour and Meaning: Art, Science and Symbolism (London: Thames & Hudson, 2000).

Gage, J., Colour in Art (London: Thames & Hudson, 2006).

Gannon, M., ‘100-Million-Year-Old Spider Attack Found in Amber’, в: LiveScience (8 Oct. 2012).

Garfield, S., Mauve: How One Man Invented a Colour that Changed the World (London: Faber & Faber, 2000).

Gettens, R. J., R. L. Feller and W. T. Chase, ‘Vermilion and Cinnabar’, в: Studies in Conservation, Vol. 17, No. 2 (May 1972), с. 45–60.

Gettens, R. J., E. West Fitzhugh and R. L. Feller, ‘Calcium Carbonate Whites’, в: Studies in Conservation, Vol. 19, No. 3 (Aug. 1974), с. 157–184.

Gilbert, M., Churchill: A Life (London: Pimlico, 2000) — в отечественном издании: МартинГилберт. Черчилль. Биография. М.: КоЛибри: Азбука-Аттикус, 2015.

Gilliam, J. E. and D. Unruh, ‘The Effects of Baker-Miller Pink on Biological, Physical and Cognitive Behaviour’, в: Journal of Orthomolecular Medicine, Vol. 3, No. 4 (1988), с. 202–206.

Glazebrook, K. and I. Baldry, ‘The Cosmic Spectrum and the Colour of the Universe’, Johns Hopkins Physics and Astronomy blog.

Goethe, J. W., Theory of Colours. Trans. C. L. Eastlake (London: John Murray, 1840) — в отечественном издании: И. В. Гёте. Учение о цвете. Теория познания. М.: Либроком, 2011.

Gootenberg, P., Andean Cocaine: The Making of a Global Drug (Chapel Hill, NC: University of North Carolina Press, 2008).

Gorton, T., ‘Vantablack Might not be the World’s Blackest Material’, в: Dazed (27 Oct. 2014).

Goswamy, B. N., ‘The Colour Yellow’, в: Tribune India (7 Sept. 2014).

Goswamy, B. N., The Spirit of Indian Painting: Close Encounters with 101 Great Works 1100–1900 (London: Allen Lane, 2014).

Govan, F., ‘Spanish Saffron Scandal as Industry Accused of Importing Cheaper Foreign Varieties’, в: Telegraph (31 Jan. 2011).

Greenbaum, H. and D. Rubinstein ‘The Hand-Held Highlighter’ в: New York Times Magazine (20 Jan. 2012).

Greenfield, A. B., A Perfect Red: Empire, Espionage and the Quest for the Colour of Desire (London: Black Swan, 2006).

Greenwood, K., 100 Years of Colour: Beautiful Images and Inspirational Palettes from a Century of Innovative Art, Illustration and Design (London: Octopus, 2015).

Groom, N., The Perfume Handbook (London: Springer-Science, 1992).

Guéguen, N. and C. Jacob ‘Clothing Colour and Tipping: Gentlemen Patrons Give More Tips to Waitresses with Red Clothes’ в: Journal of Hospitality & Tourism Research цит. по: Sage Publications/Science Daily (Aug. 2012).

Guillim, J., A Display of Heraldrie: Manifesting a More Easie Access to the Knowledge Therof Then Hath Hitherto been Published by Any, Through the Benefit of Method. 4th edition. (London: T. R., 1660).

Gunther, M., ‘Van Gogh’s Sunflowers may be Wilting in the Sun’, в: Chemistry World (28 Oct. 2015).

Gulley, R., The Encyclopedia of Demons and Demonology (New York: Visionary Living, 2009).

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Hallock, J., Preferences: Favorite Color.

Hanlon, R. T. and J. B. Messenger, Cephalopod Behaviour (Cambridge University Press, 1996).

Harkness, D. E., John Dee’s Conversations with Angels: Cabala, Alchemy, and the End of Nature (Cambridge University Press, 1999).

Harley, R. D., Artists’ Pigments 1600–1835 (London: Butterworths 1970).

Harvard University Library Open Collections Program, ‘California Gold Rush’.

Harvey, J., The Story of Black (London: Reaktion Books, 2013).

Heather, P. J., ‘Colour Symbolism: Part I’ в: Folklore, Vol. 59, No. 4 (Dec. 1948), с. 165–183.

Heather, P. J., ‘Colour Symbolism: Part IV’ в: Folklore, Vol. 60, No. 3 (Sept. 1949) с. 316–331.

Heller, S., ‘Oliver Lincoln Lundquist, Designer is Dead at 92’, в: New York Times (3 Jan. 2009).

Herbert, Reverend W., A History of the Species of Crocus (London: William Clower & Sons, 1847).

Hicks, C., Girl in a Green Gown: The History and Mystery of the Arnolfini Portrait (London: Vintage 2012).

Hodgson, S. F., ‘Obsidian, Sacred Glass from the California Sky’, в: L. Piccardi and W. B. Masse (eds.), Myth and Geology (London: Geographical Society, 2007), с. 295–314.

Hoeppe, G., Why the Sky is Blue: Discovering the Colour of Life. Trans. J. Stewart (Princeton University Press, 2007).

Holtham, S. and F. Moran, ‘Five Ways to Look at Malevich’s Black Square’, Tate Blog.

Honour, H. and J. Flemming, A World History of Art (London: Laurence King, 2005).

Hooker, W. J. (ed.), Companion to the Botanical Magazine, Vol. 2 (London: Samuel Curtis, 1836).

Humphries, C., ‘Have We Hit Peak Whiteness?’ в: Nautilus (July 2015).

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Iron Gall Ink Website.

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Jackson, H., ‘Colour Determination in the Fashion Trades’, в: Journal of the Royal Society of the Arts, Vol. 78, No. 4034 (Mar. 1930), с. 492–513.

Johnson, K., ‘Medieval Foes with Whimsy’ в: New York Times (17 Nov. 2011), с. 23.

Jones, J., ‘The Masterpiece that May Never be Seen Again’, в: Guardian (22 Dec. 2008).

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