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Princeton University Press, 2013.

Leyda 1983 – Leyda J. Kino: A History of the Russian and Soviet Film. Princeton: Princeton University Press, 1983.

Lifar 1937 – Exposition Pouchkine et son epoque: Centenaire de Pouchkine. 1837–1937 / ed. par S. Lifar. Paris: [Imp. Cooperative Etoile], 1937.

Lifar 1970 – Lifar S. Ma Vie: From Kiev to Kiev; An Autobiography / trans, by J. H. Mason. New York; Cleveland: The World Publishing Company, 1970.

Livak 2003 – Livak L. How It Was Done in Paris: Russian Emigre Literature and French Modernism. Madison: University of Wisconsin Preis, 2003.

Livak 2018 – Livak L.In Search of Russian Modernism. Baltimore: Johns Hopkins University Press, 2018.

Lourie 1925 – Lourie A. La Sonate pour piano de Strawinsky // La Revue musicale. 1925. Vol. 6. № 10. 1 August. P. 100–104.

Lourie 1927 – Lourie A. CEdipus-Rex // La Revue musicale. 1927. Vol. 8. № 8. 1 June. P. 240–253.

Lourie 1928a – Lourie A. A propos de Г Apollon d’lgor Strawinsky // Musique. 1928. Vol. 1. P. 117–119.

Lourie 1928b – Lourie A. Neogothic and Neoclassic // Modern Music. 1928. Vol. 5. № 3. March-April. P. 3–8.

Lourie 1929–1930 – Lourie A. An Inquiry into Melody// Modern Music. 1929–1930. Vol. 7. № 1. December-January. P. 3–11.

Lourie 1930a – Lourie A. Le Capriccio de Strawinsky // La Revue musicale. 1930. Vol. 11. № 103. April. P. 353–355.

Lourie 1930b – Lourie A. Strawinsky a Bruxelles // Cahiers de Belgique. 1930. Vol. 3. December. P. 330–332.

Lourie 1931a – Lourie A. Perspectives de 1’Ecole Russe / trans, by H. Gourko II La Revue musicale. 1931. Vol. 12. № 117–118. July-August. P. 160–165.

Lourie 1931b – Lourie A. Sergei Koussevitzky and His Epoch: A Biographical Chronicle / trans, by S. W. Pring. New York: Alfred A. Knopf, 1931.

Lourie 1932 – Lourie A. The Russian School / trans, by S. W. Pring // The Musical Quarterly. 1932. Vol. 28. № 4. October. P. 519–529.

Lourie 1941a – Lourie A. Musing on Music // Musical Quarterly. 1941. Vol. 27. № 2. April. P. 235–242.

Lourie 1941b – Lourie A. Notes on the “New Order” // Modern Music. 1941. Vol. 19. № 1. November-December. P. 3–9.

Lourie 1954 – Lourie A. The Feasts of Plato and Pushkin П The Third Hour. 1954. Vol. 6. P. 25–29.

Lourie 1966 – Lourie A. Profanation et Sanctification du Tempee Journal musical, Saint-Petersbourg – Paris – New York. Paris: Desclee de Brouwer, 1966.

Maguire 1968 – Maguire R. A. Red Virgin Soil: Soviet Literature in the 1920s. Princeton: Princeton University Press, 1968.

Malherbe 1927 – Malherbe H. Chronique musicale // Le Temps. 1927. 15 June.

Malherbe 1928a – Henry Malherbes review П Le Temps. 1928. 13 June.

Malherbe 1928b – Henry Malherbes review of Apollo // Le Temps. 1928. 20 June.

Maritain 1943 – Maritain J. Art and Poetry I trans, by E. de P. Matthews. New York: Philosophical Library, 1943.

Marker 2009 – Marker G. Standing in St. Petersburg Looking West, Or, Is Backwardness All There Is? // Republics of Letters: A Journal for the Study of Knowledge, Politics, and the Arts. 2009. Vol. 1. № 1. 1 May. P. 1–12.

Martin 1931a – Martin J. Social Satire: Prokofievs “Pas dAcier” in a New Version To Be Given on Tuesday // New York Times. 1931. 19 April.

Martin 1931b – Martin J. Modernism: League of Composers Ballet Raises Art Problems Anew // New York Times. 1931. 26 April.

Martin 1932 – Martin J. Mexican Ballet in World Premiere: Cryptically Titled “H.P” Given by Philadelphia Grand Opera Company. Ballet Music by Chavez. Catherine Littlefield Directs Choreography – Dolinoff, Dancer, in American Debut //New York Times. 1932. 1 April.

Matich 2010 – Petersburg/Petersburg: Novel and City, 1900-19211 ed. by O. Matich. Madison: University of Wisconsin Press, 2010.

Messing 1988 – MessingS. Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic (Studies in Musicology № 101). Ann Arbor and London: UMI Research Press, 1988.

Messing 1991 – MessingS. Polemic as History: The Case of Neociassicism // Journal of Musicology 1991. Vol. 9. № 4. P. 481–497.

Meyer 2010 – Meyer E Bruckenschlag zur Vergangenh eit: Zu Arthur Lourie's “Concerto da camera” // Mitteilungen der Paul Sacher Stiftung. 2010. Vol. 23. P. 26–32.

Milman 1829 – The Poetical Works of Milman, Bowles, Wilson, and Barry Cornwall. Paris: A. and W. Galignati, 1829.

Mirsky 1923 – Mirsky D. P. Pushkin П The Slavonic Review. 1923. Vol. 2. № 4. P. 71–84.

Mirsky 1928 – Mirsky D. P. Pouchkine (L’Oeuvre de Pouchkine) // Commerce. 1928. № 16. P. 83–87.

Mirsky 1989 – Mirsky D. P. Uncollected Writings on Russian Literature / ed. by G. S. Smith. Berkeley: Berkeley Slavic Specialties, 1989.

Monightetti 2013 — Baranova Monightetti T. Stravinsky’s Russian Library // Stravinsky and His World / ed. by T. Levitz. Princeton; Oxford: Princeton University Press, 2013. P. 61–77.

Morrison 2002 — Morrison S. Russian Opera and the Symbolist Movement. Berkeley; Los Angeles: University of California Press, 2002.

Morrison 2009 — Morrison S. The Peoples Artist: Prokofievs Soviet Years. Oxford: Oxford University Press, 2009.

Mouton 1931 – Mouton J. Review of the Concerto spiritual // Sept: I’hebdomadaire du temps present. 1931. 31 June.

Mouton 1936 — Jean Moutons review 11 Sept. 1936. 31 June.

Moricz 2008 — Moricz K. Decadent Truncation: Liberated Eros in Arthur Vincent Lourie s “The Blackamoor of Peter the Great”// Cambridge Opera Journal. 2008. Vol. 20. № 2. P. 181–213.

Moricz 2013 — Moricz K. Symphonies and Funeral Games: Lourie s Critique of Stravinsky’s Neoclassicism 11 Stravinsky and His World I ed. by T. Levitz. Princeton; Oxford: Princeton University Press, 2013. P. 105–126.

Moricz, Morrison 2014 – Funeral Games in Honor of Arthur Lourie I eds. K. Moricz, S. Morrison. Oxford; New York: Oxford University Press, 2014.

Myers 1928 — Myers R. H. Some Thoughts Suggested by Stravinsky’s «Avertissement»// The Dominant. 1928. March. P. 32–34.

Nabokov 1929 – Nabokov N. La vie et Г oeuvre de Serge Diaghilew // La musique. 1929. Vol. 3. № 2. November 15. P. 54–68.

Nabokov 1944 — Nabokov N. Stravinsky Now // Partisan Review. 1944. Vol. 11. № 3.P. 324–334.

Nabokov 1951 — Nabokov N. Old Friends and New Music. Boston: Little, Brown and Company, 1951.

Nabokov 1975 —

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